Film

ARTHOUSE

Conversations

Improve your English by talking about film.

For intermediate and above English speakers who genuinely enjoy film and want to improve their conversation skills through something they already care about.

Bring something to the table

Pick something worth talking about. We’ll take it from there.

A film

A director

A review

An interview

An article

A trailer

Your choice

Want to test your film knowledge?

Follow the clues, identify the film and put its dialogue back together. Reconstruct famous lines, fill in what’s missing and separate the real quotes from the fakes.

Take the film challenge →

The Auteurs

Pick a filmmaker, a film or a point of view.

A director you love

What keeps bringing you back?

What makes their work recognisably theirs?

One film, one director

Go deep on a single film.

What does it tell you about the filmmaker?

Early work / later work

How does a filmmaker change?

What changed, and what stayed consistent throughout?

Emerging auteurs

Who are you watching now?

What makes you think they have a distinctive voice?

New Waves

Movements and moments when cinema started doing something differently.

French New Wave

Rules broken on purpose.

Pick a film, filmmaker or idea and start there.

New Hollywood

A new generation takes over.

What changed in American cinema?

Dogme 95

Strip filmmaking back.

What happens when rules become the method?

Another wave

Bring a movement that interests you.

Korean New Wave, British New Wave or somewhere else.

Blockbusters

Big films, big audiences and what makes a film become an event.

What makes it big?

Spectacle, stars, story or timing?

Pick one blockbuster and work backwards.

The event movie

When going to the cinema becomes part of the story.

Why did people have to see it then?

Big screen craft

What earns the scale?

Sound, image, action, performance or all of it.

Your blockbuster

Bring one that actually worked for you.

Or one you think absolutely didn’t.

Documentary

Real stories, different perspectives and the choices behind putting reality on screen.

Whose point of view?

Who shapes the story?

How much does the filmmaker shape what we think is true?

Where are the limits?

Ethics, access and responsibility.

What feels fair, revealing or exploitative?

Observe / intervene

How present should the filmmaker be?

What changes when the filmmaker enters the story?

Bring a documentary

Start with what stayed with you.

What choice made the strongest impression on you?

Adaptations

From page to screen. What changes, what gets lost and what cinema adds.

Book / film

What changed?

What did the film understand differently?

What had to change?

Page and screen work differently.

What works in one medium but not the other?

Faithful or better?

Does fidelity matter?

A good adaptation may need to betray the source.

Bring the source

Novel, play, article, biography.

What changed when the source became cinema?

Remakes

Films revisited for another time.

Original / remake

What changed and why?

Compare the choices rather than just the plot.

Why remake it?

What does a new version justify?

A new audience, a new culture, a new technology?

Across cultures

Same film, different context.

What changes when a film moves between countries or languages?

A remake you hate

Sometimes criticism is the best conversation.

Make the case for why the original worked better.

Films Through the Decades

See how filmmaking changes from one era to the next, from the 1920s to now.

1920s–40s

Silent cinema, sound and a darker screen.

Which change had the biggest effect on how films told stories?

1950s–60s

Widescreen, rebellion and new waves.

How quickly did cinema start breaking its own rules?

1970s–80s

New Hollywood, bigger screens, changing industries.

What changed most in the way films looked, sounded or reached audiences?

1990s–2000s

Indies, digital and a new century.

What changed in the way films were made and found audiences?

2010s–now

Streaming, franchises and cinema in flux.

What feels different about watching and making films now?

The Making Of

How films get made, from the first creative choices to the final cut.

Directing

Performance, tone and choices on set.

Start with a scene and ask what the director is doing.

Image & sound

Cinematography, production design and sound.

What makes the film feel the way it does?

The edit

Rhythm, structure and what gets left out.

How does the edit change the way a scene works?

Behind the scenes

Production, casting, effects and craft.

Pick the part of filmmaking you’re most curious about.

The Trades

What’s happening across the film industry.

Festivals & markets

Premieres, deals and discoveries.

Bring a story from Cannes, Berlin, Venice or somewhere else.

Streaming & distribution

How films reach audiences.

What’s changing and who benefits?

Production & finance

What’s being made and why.

Follow the business story behind the film.

Bring a trade story

Screen, Variety, Deadline or elsewhere.

If it made you stop scrolling, it’s probably worth discussing.

Reviews & Awards

Reviews, reactions and awards season.

The reviews

What did the critics see?

Compare two very different reactions to the same film.

Audience vs critics

Who got it right?

Or is that the wrong question?

Awards season

Favourites, snubs and campaigns.

What gets rewarded and what gets overlooked?

The conversation around it

What made this film part of a bigger debate?

Sometimes the story around the film is as interesting as the film.

Now Showing & Box Office

What’s out, what’s working and what people are watching.

What did you just watch?

Start with the thing that’s freshest in your mind.

What stayed with you after the credits?

Worth the hype?

Take on the film everyone’s talking about.

Make the case for or against it.

The box office

What’s working, what isn’t and why?

Numbers are a starting point, not the whole story.

What are we missing?

Pick something being overlooked.

Explain why it deserves more attention.

Why talk
about film?

If you love film, why not use it to improve your English?

Talk about films you love, something you’ve just watched, filmmakers you want to explore, or choose a conversation from the collection.

You don’t need to work in film or know everything about cinema. You just need to be genuinely interested in it.

For intermediate and above English speakers.

Your Film Conversation Partner

I’ve worked in and around the film industry for over two decades and have always been passionate about film. As a language learner myself, I also know the value of having someone who can keep a conversation moving, challenge you and give you the space to find your words.

How it works

Choose your conversation

Pick from the topics suggested above, or bring your own film, filmmaker or film topic you’d like to discuss.

The conversation session

A 45-minute one-to-one conversation in English. I’ll keep the conversation moving, ask questions and encourage you to explore your ideas and challenge yourself in English.

Conversation sessions

£50 for 45 minutes

5 conversations for £225

Book a class

Working on a film project?

For pitches, meetings, festivals and other professional situations around the film industry.

Explore Film Industry English Coaching